AMY HONCHELL
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Whorl
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Sculptural Work & Exhibitions
Site-Specific Installations 2002-present
Matter exhibition
Untitled Squall
Many Different Sensations are Possible
Sinew
Perfect Specimen
Perfect Specimen A
Perfect Specimen B
Glands and Soft Parts
Membranes
True Skin is Highly Vascular and Sensitive
Synapse: The First Kiss
Lost and Looking, 2021
Material Mix
Soft Infrastructure, 2011
Fictional Landscapes, 2011
Personal Geographies, 2009
MCA/Lollapalooza, 2008
Purl Installation
An Abiding Locale, 2008
Points of Impact, 2008
Structures and Landscapes (all 2011-2021)
Paintings
2016-2018
Glitter Paintings
Photography
In the Studio
current studio images
studio archive
studio 2008
studio 2009
studio 2012-13
studio 2011
News
Contact
Links
PDFs
CV
AMY HONCHELL
Home
Portfolio
Drawings
Ink Drawings
Rickety Structures
Landscapes
Biology
Wire Wall Drawings
We Traveled By Abstraction
The Myth of Solid Ground
Whorl
Here and Now (Olympia)
Sculptural Work & Exhibitions
Site-Specific Installations 2002-present
Matter exhibition
Untitled Squall
Many Different Sensations are Possible
Sinew
Perfect Specimen
Perfect Specimen A
Perfect Specimen B
Glands and Soft Parts
Membranes
True Skin is Highly Vascular and Sensitive
Synapse: The First Kiss
Lost and Looking, 2021
Material Mix
Soft Infrastructure, 2011
Fictional Landscapes, 2011
Personal Geographies, 2009
MCA/Lollapalooza, 2008
Purl Installation
An Abiding Locale, 2008
Points of Impact, 2008
Structures and Landscapes (all 2011-2021)
Paintings
2016-2018
Glitter Paintings
Photography
In the Studio
current studio images
studio archive
studio 2008
studio 2009
studio 2012-13
studio 2011
News
Contact
Links
PDFs
CV
Ink Drawings
>
Landscapes
Green Mine
ink and glitter gel pen on bristol
11 x 14"
2011
Fluorescent RR Bridge
ink on bristol
11 x 14"
2011
Rail Junction
ink on bristol
4 x 6"
2011
Yellow Ladder, Vertical Inclination
ink on bristol
14 x 17"
2011
Flight, Slope, Tread
ink on bristol
14 x 17"
2011
Orange Mine
ink on bristol
4 x 6"
2011
Undulating Ground with Tall Tower (diptych)
ink on bristol
4 x 6" each
2011
Ley Lines
ink on bristol
8 x 10"
2011
Everything Looked Familiar Again
ink on bristol
8 x 10"
2011
Two Glitter Towers
ink and glitter gel pen on bristol
4 x 6"
2011
Two Towers
ink and glitter gel pen on bristol
4 x 6"
2011
Study for Lapse
ink and glitter gel pen on bristol
4 x 6"
2011
Connectivity, Skew Symmetry
ink and glitter gel pen on bristol
4 x 6"
2011
Study for Blind, Muscle Memory
ink and ultrafine glitter on bristol
14 x 17"
2011
An Extreme Change in Surface
ink on bristol
4 x 6"
2011
The Consequences Were Hard to Measure
ink on bristol
11 x 14"
2010
The Withdrawal was Extended
ink on bristol
4 x 6"
2010
Mine Entrance (black)
ink and glitter gel pen on bristol
8 x 10"
2011
Diversions and Terraces Were Well Preserved
ink and ultrafine glitter on bristol
8 x 10"
2011
All Borders Are Dangerous
pismacolor, ink, glass glitter on bristol
14 x 11
2007
The Risks of Scaling Mountains
prismacolor and ink on bristol
11 x 17
2008
The Things We Want Are Transformative
pismacolor and ink on bristol
20 x 24
2008
Badlands
prismacolor and ink on bristol
20 x 24
2008
Invisible Depressions
ink on bristol
18 x 22
2008
Glacial
pismacolor and ink on bristol
20 x 24
2008
Bluffs
prismacolor and ink on bristol
11 x 14
2007
In an Acre There Can Be a Million
pismacolor and ink on bristol
11 x 17
2008
Eruption
prismacolor on bristol
11 x 14
2007
Dunes
prismacolor on bristol
14 x 11
2007
first bluff
prismacolor and ink on bristol
11 x 14
2007